The Basque Country Music Centre, Musikene, has undoubtedly borne fruit over seventeen years of history. Among these fruits, the Musikene Symphony Orchestra is one of the most outstanding. It is one thing to train the soloists, to train the artists, but that training would be disrupted if the curricula did not lead the students to participate in larger instrumental groups.
To this end, the Symphony Orchestra of this centre was set up and, as the Arriaga Theatre has heard, we can say that they are doing a good job.
As a counterpoint to the illusion and courage of this young orchestra, we had the experience of the Donostiarra Orpheon on the stage, and between the two interpreted the Cherubini Requiem, a true whim, under the batuta of Victor Pablo Pérez. This réquiem is special when compared to other celebrities like Verdi or Fauré. Maybe Cherubini's is getting darker, but there are passages as tense as they're furious. The Orpheon, with the emphasis of the orchestra, was able to highlight all these nuances. We had a delicate initial Introitus. Although Dies Irae came out a little flat, we heard Sanctus strong and filmed. The final, totally mystical, was one of the best moments of the performance.
But this work was not the only incentive of the program. Béla Bartók's viola and orchestra concert was a great opportunity for the luxury of young viola Yana Kutxerova. The musician, born in Russia, received training at the Musikene centre in the Russian capital. He has received many awards in competitions and has offered many concerts throughout Europe. It showed a safe technique and, most importantly, a refined and warm sound, very nice. In addition, it has a balanced, elegant expressiveness. Bartók's concert is not an easy task. In order to express the composer's peculiarities, the personal conjunction of folklore and the avant-garde, all in a firm and traditional way, Kutxerova's musical maturity is needed. The audience was astonished. Congratulations!
BRN + Neighborhood and Sain Mountain + Odei + Monsieur le crepe and Muxker
What: The harvest party.
When: May 2nd.
In which: In the Bilborock Room.
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The seeds sown need water, light and time to germinate. Nature has... [+]
Aramu + AimarZ
When: April 26.
In which: The Zumarraga Open Field.
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The website of the City Council says: "The tourist brand Viva Viva and the festival of the same name are designed to show the world the soul of... [+]
Transparent Beings
When: April 20th.
In which: In the Plaza of the Castle of Pamplona.
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The concert is only half an hour away in the Plaza del Castillo de Pamplona; but it is still half empty, because it is raining. Whether... [+]
Aposapo + Mäte + Daño Dolor
When: April 5th.
In which: In the Youth Center of Markina-Xemein.
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I’ve made my way to the cheese house with the shopping cart full of vegetables, and we’ve spent the evening cutting... [+]
Olatz Salvador
Noiz: martxoaren 15ean.
Non: Deustuko jaietan.
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Martxoak beti du deustuarrontzat kolore berezia; urtero ospatzen ditugu jaiak, San Jose egunaren bueltan. Bi asteburu bete festa, eta urtetik urtera Deustuko... [+]
Inoren Ero Ni + Lisabö
Noiz: martxoaren 14an.
Non: Gasteizko Jimmy Jazz aretoan.
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Izotz-arriskuaren seinalea autoko pantailatxoan. Urkiola, bere mendilerro eta baso. Kontzertuetara bideko ohiko errituala: Inoren... [+]
Olor
Noiz: martxoaren 9an.
Non: Bilboko Sarean espazioan.
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Esperantza. iz. Nahi edo desiratzen dena gertatuko delako edo lortuko delako uste ona.
Izen horixe jarri zion Jokin Azpiazu Carballo Olor ermuarrak bere... [+]
Hiuzz + Bloñ + Adur
Noiz: otsailaren 15ean.
Non: Iruñeko Aitzina tabernan (Egun Motelak kolektiboa).
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Larunbat goiza Iruñean. Neguko eguzkitan lanera doazen gizon –eta ez gizon– bakarti batzuk... [+]