I have been told that Venice must be reached by the sea, because the rest of the accesses are saturated. The collapsed image of the artist Maider López's jam on the mountain comes to mind. And also the image of the city's sinking with the saturation of the land that Venice holds, like a Titanic, fed by sea water. Despite the serious situation, the city has not stopped the machinery of attraction. What does it seem that imagining the collapse of cities in the summer is not a problem, that overbooking or the full poster also serves cities, as if it had been announced. The reason the visit to the city becomes attractive is because it is attracted to the elect, but it has become a feature of the holidays of our time. See what the Tour de France foresees in our country.

To contribute to the sinking of Venice, during the summer months the 18th edition of the International Architecture Biennial of Venice will be held, a focus of interest for architects and others. This year the exhibition is organized by an African woman, Lesley Lokko. He has been a professor in London and New York and has written numerous novels, but he has probably been signed by his African activism. The new edition has been designated by Lokko as the Future Laboratory, which ensures that the future is in Africa. Focusing decarbonisation and decolonality in the future, it is argued that Afro thinking can be especially valuable for the planet, as Africa is a place for both, to which the police would gesture to look. Connecting the future with Africa is very attractive, it works like a transarchitectural image. And the future is the laboratory, because you can't predict the transformative dimension of what's coming, so you mean that the age of planning comes from the lab. And in the new age, Africans, children under 40 and women will have to speak, as in the demo. If we are going to fill the city, let it be with conscience.