Always young, always alive!
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I met Bergara's Fly Shit group very young, newly released, when there were no young people in his village and somehow it was the Pol-Pol bar that did that function. Despite being younger than us, hardcore was fascinated by its peers and for a long time they have worked almost alone in the way of making the sounds and things that other generations have loved so much in our region. A sign of this is the Gaztetxe, Txapa Irratia and others.
I've met Managaitz de Zarautz a lot later, but we can also put them in a similar context. In a more fruitful scene, but since very young in the gaztetxe of the town, in the free radio and with other implications.
All of this proves, contrary to what many people think, that there's no age to work that music and that attitude, and that you can really get time and strength out, right? It's not just juvenile madness...
I found the collaboration of these two hardcore-punk groups that we have today in Euskal Herria very elegant; for doing, for demonstrating that it can be done and for the result. It has now come out in vinyl and will soon be published on CDs as well.
Fly Shit will never be able to dispense with Bap, which is fully sculpted in the DNA. And the RKL -- I wouldn't discard them either! ), which translates into various melodies, guitar riffs and rhythm change, but the group goes much further: The clandestine journey is a round song with change in rhythm, speed and half tempo. Cross death is very much in mind of the large Fugazi group. Fly Shit 2 is autobiographical, fast, strong and melancholic. And finally, a rather furious harcore of the old school trapped in the Nets.
The offer of the Managaitz group was a surprise to me, as I did not know them by their name, but by their song. The shameless visitor, Don’t forget me and That they serve for something are the hardcore-punk of the old school that also picks up the melody. The tip of the Bap spiral! It's a masterpiece that combines the rhythms, the life force and the feelings of the old. And we cannot, even without the House, be sensitive songs with changes in rhythm and intense rhythm.
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