They are very close, in practice, the brother-in-law who says “today you can’t say anything” and the supposed progre that says “I am free to do what I want”. Presumed freedom. Presumed. Democracy had to equate human beings and social networks, communications. We thought we were all the same.
The brother-in-law may be talking about the Maghreb, or boy/girl/chique, and so on, in an insulting way, because they are now, arti-two-son-now-ten-mil-mil-son. Genres, of course. Because we know that you can't call the camera pretty much today. And you can't say a few things.
The phrase of the second friend, who has declared to be free to do whatever he wants, can continue like this: “Can’t I meet my ten [men] friends and have fun making music?” Another member of the lap, “It’s a way to play with my friends, what’s wrong?”
It is true: there are things that cannot be said. There are things that can be said and criticised. It's also easy, sometimes, to criticize people on the left. But there are other things that can't be pointed out, because if you point, you grab firewood. Modernitis has captured us radically, on the left and on the right. Because there are things that are cool to criticize truths aloud.
There are things that make it cool to know why. Well, we know that's why.
In the music that disperses in Euskal Herria, two or three groups have become guay in recent times. [Men]. In Donostialdea some, Castilian vulgar end. But we're not just talking about them. They make cool music, because music is cool what you can now call runba, salsa and, in general, Latin music. “Music to have a good time.” That is, five, ten or fifteen men feel "crazy" on the table. Be able to get up to the public with peace of mind and without knowing how to play the instruments well. And then, very quiet, in the interview Kaparrak offered to El Salto: “In Euskal Herria we did not see any of this and we wanted to do it.”
And also: “We’ve always identified with katxondeo and wanted to throw a small beef because we couldn’t play at the txosnas.” One Beef. I mean, even if you're told not to go up the tab, do whatever you put on the tip of your nose. Because they want it. Because they can.
My brother-in-law's so far. The presumed friend of progre also says: “What we want is for equality and for everyone to have the same opportunities. We hope to create more women’s groups and give the same opportunities as men.”
Winter has always happened to me melancholy. It was time to look out the window and remember. An ineluctable bureaucracy between autumn and spring, painting back blank on a vertical parcel to reflect whatever you want. It's not just my business, those who forget that the snow is... [+]
Alosia
Perlata
Autoproduction, 2024
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The Arrasate Perlata group has published a new work. He has several records behind him and his latest work is punk, Oi! And it was a documentary in tribute to the unrepeatable... [+]
Fun Home. A tragic family
history Alison Bechdel
Txalaparta, 2024
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Fun Home. Alison Bechdel is known for the first publication of the graphic novel A Tragic Family Story (2006), although he himself participated in several... [+]
Joan Tartas (Sohüta, 1610 - date of unknown death) is not one of the most famous writers in the history of our letters and yet we discover good things in this “mendre piece” whose title, let us admit it from the beginning, is probably not the most commercial of the titles... [+]
When we woke up, culturally and administratively, the landscape showed a three-speed disaster.
As far as culture is concerned, I had the opportunity – once again – to confirm this last November 14 at the Mint library in Ortzaize. There we met because Eñaut Etxamendi... [+]
As the fall ends, the crows appear on Basque Day, in the Basque era or in the Durango Fair. Aware of the results of socio-linguistic surveys on the use of Euskera, the "politically corrective" exercise has no longer drawn anyone's attention. Without Ttattarri, with cool and smiling... [+]