Lanartea took a few cocks on December 3, Basque Day: "Do you think Basque creation is in an emergency? / Listen carefully and you will be able to solve doubts,” says the first of them.

The Association of Professional Employees of the Basque Country has taken the opportunity to "reclaim the culture in Euskera and in favor of those of us who do it in Euskera" and at the same time denounce that the Basque culture is in an "emergency" situation.

To this end, he has brought out the coplas, to be disseminated by his members in the acts "bertso, musika, dantza, literatures..." that take place on the day of the Basque Country and in its surroundings: "Do you worship the speeches of Basque creative institutions?" Stop throwing flowers and laying the bases," says another one of the coplas. On the precarious situation of the creators, on the cultural policy of the institutions, on the attitude of the programmers... these coplos are a critique of rima to rima.

Precisely, the association has announced that this month the results of the survey on the Living and Working Conditions of Basque Artists will be published, which "make very clear" the emergency situation of the Basque creation.

Complete coils:

The Basque creation in the emergency

-I--

Do you think Basque creation is in an emergency?
Listen carefully and you will be able to solve your doubts.

II

Is it not what we call Basque culture?
Why do many share culture or Euskera?

III

Does Basque creation have a place in cultural programming?
Or do they sell us by quotas at the price of the wind?

CHAPTER IV

Does Basque culture have its own cultural programming?
Or is there no money and no space?

V

Does Basque creation have a rival in Spanish creation?
Do we not owe our own focus?

VI

We are a lot of Basque creators, and in the Plaza de la Cultura
nobody can question what it is.

VII

Embellishment of the speeches of Basque creative institutions?
Stop throwing flowers and laying the bases.

VIII

Is Basque creation the wealth of Euskal Herria?
Too many of them have turned their backs.

CHAPTER IX

What working conditions do we have for the people who work in Basque creation?
Forced precariousness has conditioned creation.

X

Can we continue to create those who work in the Basque creation?
How do you go on if nobody recognizes that this is a job?

XI

Is Basque creation not the essence of Basque cultural policies?
And at EITB, for example, where is our creation?

XII

Those of us who work in Basque
creation, please do not take us half as artists and workers, as workers and artists.

XIII

Does Basque creation have its conflict with migrants?
Or is their success in everybody's interaction?

XIV

Friends or fans that the Basque creation needs?
Entities or programmers, means, recipients.

XV

We believe that Basque creation is in an emergency situation,
YOU also need you to get out of the emergency.