Vegetables buying in the supermarket, in the bar drinking small pines, listening to Su Ta Sagar… Isn’t it too much?

I find this way of life that we carry so fast exaggerated. Apparently, in the comic book, vegetables represent a chaotic world, but surely there's the life we've chosen, it's the reflection of our chaotic world.

You've drawn two parallel worlds around the orchard, interacting: the outside, the gardener, and the inside, the vegetables. Who controls whom?

There is a controlled lack of control or perhaps uncontrolled control. The reader will have to see this…

Have you looked a lot before you start drawing vegetables? To know your life so well…

Well, I've had the habit of making barricades since I was a kid, more than drawings. Therefore, the work of Altza Porru has made me quite easy. It is true, however, that I have also had to give a few laps in my head to thread and roll the story.

Have you learned anything about the vegetable garden with Altza Porru? Or was it already controlling the issue?

Of course I've learned! I like to make the work warmer and more humble, and I have certainly learned a lot from this Altza Porru project. I've had a vegetable garden before, yeah, and now I'm in urban vegetable gardens projects. I used to have a little connection with all of this, but it is true that I still have a lot to learn. I am a simple disciple in this matter.

Tipuliñe is the protagonist of your comic book. In the presentation of the authors your onion.

So Assisi may have seen me as a weeping, and that's why he's drawn my onion with his face. Or maybe it's because we're all very yin. The onion is very yin and according to the macrobiotics we should yanginize everyone...